{"product_id":"rhythmic-alteration-in-seventeenth-and-eighteenthcentury-music-notes-inegales-and-overdotting-9780028710358","title":"Rhythmic Alteration in Seventeenth- And Eighteenth-Century Music: Notes Inegales and Overdotting","description":"\u003cp\u003eThe problems of rhythmic alteration are among the most controversial issues facing todays historically oriented performers of Baroque music. Hitherto  anyone seeking to understand the French practice of notes inegales and the related concept of overdotting had to absorb an unwieldy and frequently polemical literature of essays. Now  for the first time  Stephen E. Heflings Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music provides a comprehensive compendium of what is known about notes inegales and overdotting  including tables and summaries that make pertinent historical evidence readily accessible to performers and scholars alike. The volume concludes with a concise overview of problems and choices faced by performers. Notes inegales is the historical name of the French practice  prevalent from 1690 to 1780  of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. \"Overdotting\" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables  including tempo  articulation  and national musical styles. The book is divided into two parts. Part I  \"Notes inegales \" distills information from over 160 sources concerning conventional aspects of French rhythmic inequality  the negation of inequality  discrepancies among the sources  and the practice of notes inegales outside France. Part II  \"Overdotting \" examines the value of the dot  the relationship of overdotting to notes inegales  overdotting in French dances and overtures  and rhythmic alteration in the \"Handel tradition.\" The final chapter functions as summation and practicum  focusing on specific performance situations in light of the conclusions drawn about rhythmic alteration. Here  Heflings approach to interpretive strategies will be welcomed by every Baroque performer. The book also includes notes  an extensive bibliography  music examples  and facsimiles.\u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":45953328185397,"sku":"ByrdShop_0028710355","price":140.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/8139\/0901\/files\/9780028710358.jpg?v=1788185369","url":"https:\/\/atxbooks.com\/products\/rhythmic-alteration-in-seventeenth-and-eighteenthcentury-music-notes-inegales-and-overdotting-9780028710358","provider":"ATX Books","version":"1.0","type":"link"}