Andy Warhol Retrospective

About this book

This volume is published to accompany a major European retrospective of the work of Andy Warhol presenting him as the most significant chronicler of the second half of the 20th century. The collection of over 220 images show how his work reflected and commented on themes in American society that were also becoming international: consumerism mass-production celebrity death and disaster. In the four essays Warhol scholars propose new ways of approaching the art of this enigmatic figure. Heiner Bastian drawing on his friendship with Warhol traces his development from commercial graphic artist to purely autonomous artist with international status. He extends the concept of Classic Modernism to almost the end of the 20th century and shows Warhol to be a deeply moral artist. Kirk Varnedoe examines the significance of Warhols first exhibition of 1962 of the series of "Campbells Soup Cans" exploring the themes of the multiple. Donna De Salvo takes the concept of the "afterimage" in Warhols work as a starting point for considering his painterly strategy. She shows how Warhol had a very subtle awareness of the surface in contemporary culture tracing this back to his work for advertising agencies. Peter-Claus Schuster makes a resonant comparison between the work of Warhol and Goya both depicted atrocity. Warhols " Death and Disaster" sequences can be seen not as depictions of a callous unjust society but rather as a critique of the media message and the resulting desensitization of public consciousness. Ultimately however he warns against any simplistic reductions and poposes Andy Warhol to be a complex mixture of victim superstar and redeemer.