HomeMovies & Music BooksBernardo Bertolucci: Interviews (Conversations With Filmmakers)
Skip to product information
1 of 1

Bernardo Bertolucci: Interviews (Conversations With Filmmakers)

paperbackJanuary 21, 2000
Regular price $28.89 USD
Regular price Sale price $28.89 USD
Sale Sold out
Shipping calculated at checkout.
Secure Checkout
Quality Guaranteed
New In Stock
ISBN-13: 9781578062058 ISBN-10: 1578062055
Publisher
University Press of Mississippi
Binding
paperback
Published
January 21, 2000
Weight
1.1 lbs
Dimensions
22.20×1.90×15.20 cm

About this book

Bernardo Bertolucci: Interviews (Conversations With Filmmakers) by Bernardo Bertolucci. paperback edition. ISBN: 9781578062058.

Collected here are forty years of the thoughts of one of the most influential filmmakers of our time. Although the winner of nine Academy Awards for The Last Emperor, Bernardo Bertolucci may ultimately be best remembered for Last Tango in Paris, which Pauline Kael called the most erotic film ever made. This volume gives a privileged view of Bertoluccis career from the days of his first radical experiments to the present, when he has become an elder statesman of world cinema. Half of these twenty-three interviews appear in English for the first time. The conversations resonate with themes that run throughout Bertoluccis work and thought from his early experimental films―Before the Revolution, The Spiders Strategem, The Conformist, and Last Tango in Paris―to his more mainstream works―The Last Emperor, The Sheltering Sky, Little Buddha, and Besieged. These conversations with Bertolucci reveal the significance of psychoanalysis in his films, the relationship between films and dreams, his early fascination with Godard and the “New Wave,” his views on extremism and radical politics, and his personal search for cinematic truth. As the interviews progress through four decades of his filmmaking, they show his artistic evolution. In the earliest, he is questing for answers to questions about the “fundamental cinema problem.” In the latest, he has come to recognize the need to please his audience. As Bertolucci speaks, he provides his autobiography, his psychohistory, a production journal of each of his films, a portrait gallery of his contemporaries, a compendium of film theory, and an ABC of ideas that range from auteur theory, Bazin, the camera, dance, editing, right on to Zen. He speaks of his early poetry, his fiercely revolutionary stances of the 1960s, and his gradual discovery that he always has to be in love with his audiences. In all, this is a stunning self-portrait of one of cinemas greatest filmmakers.