Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence

About this book

To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy discerning patrons like Cosimo de Medici? In recent years scholars have attributed great importance to the role played by patrons arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burkes Changing Patrons a book that draws heavily upon the authors discoveries in Florentine archives tracing the many profound transformations in patrons relations to the visual world of fifteenth-century Florence. Looking closely at two of the citys upwardly mobile families Burke demonstrates that they approached the visual arts from within a grid of social political and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by among others Botticelli Filippino Lippi and Raphael. Genuinely interdisciplinary the book also casts light on broad issues of identity power relations and the visual arts in Florence the cradle of the Renaissance.