HomeDecadent Enchantments: The Revival of Gregorian Chant at Solesmes (Volume 10) (California Studies in 19th-Century Music)
Skip to product information
1 of 1

Decadent Enchantments: The Revival of Gregorian Chant at Solesmes (Volume 10) (California Studies in 19th-Century Music)

hardcoverAugust 10, 1998
Regular price $89.06 USD
Regular price Sale price $89.06 USD
Sale Sold out
Shipping calculated at checkout.
Secure Checkout
Quality Guaranteed
New In Stock
ISBN-13: 9780520210080 ISBN-10: 0520210085
Publisher
University of California Press
Binding
hardcover
Published
August 10, 1998
Weight
1.2 lbs
Dimensions
23.50×2.00×15.60 cm

About this book

Decadent Enchantments: The Revival of Gregorian Chant at Solesmes (Volume 10) (California Studies in 19th-Century Music) by Bergeron, Katherine. hardcover edition. ISBN: 9780520210080.

The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergerons engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration." Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.