Deleuze and Horror Film

About this book

The horror film analysed from a Deleuzian perspective. This book argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Yet cinematic devices such as mise en scne editing and sound are central to the viewers visceral fear and arousal. Using Deleuzes work on art and film Anna Powell argues that film viewing is a form of altered consciousness and the experience of viewing horror film an embodied event.The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics. These include: subjectivity/becoming the body without organs molecularity time/duration affect movement/rhythm space anomaly and schizoanalysis. These concepts are then applied to horror films.Themes such as insanity sensory response to film the subject/object fractured time the body and cinematography are explored in horror films such as Jacobs Ladder Dr Jekyll and Mr Hyde Psycho Silence of the Lambs The Fly A Nightmare on Elm Street Alien Resurrection The Others The Shining Interview with the Vampire Bram Stokers Dracula and Nosferatu.FeaturesA substantial new contribution to horror film theoryA critical introduction to key terms in Deleuzian philosophy and aesthetics New readings of the classic horror canon and recent filmsAnalysis of horror styles narrative and special effects.Deleuze and Horror Film was originally published in hardback in March 2005. The paperback edition was published in November 2006.