HomeMovies & Music BooksHollywood's Embassies: How Movie Theaters Projected American Power Around the World (Film and Culture Series)
Skip to product information
1 of 1

Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Film and Culture Series)

paperbackApril 26, 2022
Regular price $61.98 USD
Regular price Sale price $61.98 USD
Sale Sold out
Shipping calculated at checkout.
Secure Checkout
Quality Guaranteed
New In Stock
ISBN-13: 9780231201513 ISBN-10: 0231201516
Publisher
Columbia University Press
Binding
paperback
Published
April 26, 2022
Weight
2.3 lbs
Dimensions
23.20×3.00×15.80 cm

About this book

Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Film and Culture Series) by Melnick, Ross. paperback edition. ISBN: 9780231201513.

Winner, 2024 Culbert Family Book Prize, International Association for Media and History Winner - 2022 Richard Wall Memorial Award, Theatre Library Association Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood’s Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.