Italian National Cinema 1896-1996 (National Cinemas)
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From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996 Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
