La Belle Captive: A Novel

About this book

"It begins with a stone falling in the silence vertically immobile. It is falling from a great height a meteor a massive compact oblong block of rock like a giant egg with a pocked uneven surface." The opening sentence of La Belle Captive introduces a dreamworld where the conventions of the traditional novel have been overthrown. Objects move through space without regard to laws of nature characters move through the text in a maddening complex of events. Published in 1975 Alain Robbe-Grillets nouveau roman is illustrated with 77 paintings by Ren Magritte. Robbe-Grillet uses Magrittes paintings as pretexts for the novel letting them generate themes for an imaginary discourse that parallels their imagery glosses them contradicts them. Simultaneously he comments on Magrittes paintings while taking advantage of them to parade his own favorite themes: play eroticism subversion. Robbe-Grillet gives us a plot that frustrates expectations yet shares his pleasure with the mysterious and poetic in Magrittes art and with the cultural myths that painter and novelist both parody. The book includes a critical essay by novelist and translator Ben Stoltzfus on the pictorial and linguistic affinities between Magritte and Robbe-Grillet. Stoltzfus explores the image of the beautiful captive not only in her mythical and erotic dimensions but also as a metaphor for the artistic process.