Lydia Okumura: Situations (Sternberg Press)

Lydia Okumura: Situations (Sternberg Press) by Adams, Curator Rachel. paperback edition. ISBN: 9783956792915.

For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction. She challenges our perception of space through sculptures, installations, and works on paper that blur distinctions between dimensions. In the 1970s, a young artist in her native São Paulo, she studied the Japanese art magazine Bijutsu Techou, which introduced her to Conceptual art, Minimalism, Land art, and Arte Povera. These movements, along with Brazilian Concretism and Neoconcretism, influenced Okumuras work. Using simple materials such as string, glass, and paint, her dynamic work balances line, plane, and shadow. Okumuras oeuvre--although reminiscent of the work of Latin American artists such as Lygia Pape and Carmen Herrera, as well as contemporaries such as Dorothea Rockburne and Robert Irwin--has remained under-recognized. She has exhibited widely in São Paulo and is part of multiple museum collections, but she is much less known in her adopted country, the United States. "Lydia Okumura: Situations" (September 8, 2016-January 8, 2017) is the artists first solo exhibition in the United States. Through the exhibition and catalogue, the UB Art Galleries seek to encourage a critical reassessment of Okumuras oeuvre within art history. The catalogue includes an essay on Okumura and her work, by curator Rachel Adams; an account of vanguardism in Brazilian art from 1960 to 1975, by art historian Mari Rodriguez Binnie; a conversation between Adams and Okumura; and extensive photo documentation of Okumuras work from the 1970s until today. Copublished with UB Art Galleries Contributors Rachel Adams, Sandra H. Olsen, Mari Rodriguez Binnie; interview with Lydia Okumura