HomeHistory BooksPop Art and Vernacular Cultures (Annotating Art's Histories: Cross-Cultural Perspectives in the Visual Arts)
Skip to product information
1 of 1

Pop Art and Vernacular Cultures (Annotating Art's Histories: Cross-Cultural Perspectives in the Visual Arts)

paperbackJuly 13, 2007
Regular price $318.66 USD
Regular price Sale price $318.66 USD
Sale Sold out
Shipping calculated at checkout.
Secure Checkout
Quality Guaranteed
New In Stock
ISBN-13: 9780262633505 ISBN-10: 0262633507
Publisher
MIT Press
Binding
paperback
Published
July 13, 2007
Weight
1.6 lbs
Dimensions
23.60×2.00×18.10 cm

About this book

Pop Art and Vernacular Cultures (Annotating Art's Histories: Cross-Cultural Perspectives in the Visual Arts) by Mercer, Kobena. paperback edition. ISBN: 9780262633505.

A cross-cultural perspective on the aesthetics and politics of pop art. How does pop art translate across cultures? What does pop art look like through a postcolonial lens? In the global marketplace of images, artists have long challenged the discourse of officialdom by turning to dissident elements in the languages of vernacular culture. This volume casts new light on the aesthetics and politics of pop by taking a cross-cultural perspective on what happens when everyday objects are taken out of one context and repositioned in the language of art. Pop Art and Vernacular Cultures examines practices that range from the recycling of consumerist waste in Chicano “rasquachismo” to the painterly pastiche of Hindu “photo-gods,” exploring the semiotic transformations that arise when art reveals unexpected antagonisms in the social life of images. Showing how boundaries marking “high” and “low” are further corroded by strategies that question categories of “folk,” “nation,” and “people” in the global culture of modernity, this book breaks new ground in understanding pop arts ambiguous reaction to (and compliance with) the dynamics of high capitalism. When Mao goes pop, should we see the results as avant-garde, anti-modern, or postmodern? Who “owns” popular culture in South Africa or Brazil? The critical revision proposed by this third volume in the Annotating Arts Histories series dramatically expands the world map of the period from which our definitions of contemporary art are drawn. Kobena Mercer is a writer and critic living in London. He is the editor of Cosmopolitan Modernisms and Discrepant Abstraction (both published by MIT Press), author of Welcome to the Jungle: New Positions in Black Cultural Studies, and an inaugural recipient of the Clark Prize for Excellence in Arts Writing, presented by the Sterling and Francine Clark Art Institute.