Rethinking Mahler

About this book

As one of the most popular classical composers in the performance repertoire of professional and amateur orchestras and choirs across the world Gustav Mahler continues to generate significant interest and the global appetite for his music and for discussions of it remains large. Editor Jeremy Barham brings together leading and emerging scholars in the field to explore Mahlers relationship with music media and ideas past and present addressing issues in structural analysis performance genres of stage screen and literature cultural movements aesthetics history/historiography and temporal experience. Rethinking Mahler counterbalances prevailing scholarly assumptions and preferences that configure Mahler as proto-modernist with hitherto neglected consideration of his debt to and his re-imagining of the legacies of his own historical past. Over the course of 17 chapters drawing from a variety of disciplinary perspectives the book pursues ideas of nostalgia historicism and pastness in relation to an emergent modernity and subsequent musical-cultural developments yielding a wide-ranging exploration and re-evaluation of Mahlers works their historical reception and understanding and their resounding impact within diverse cultural contexts. Rethinking Mahler will be an essential resource for scholars and students of Mahler and late Romantic era music more generally and will also find an audience among the many devotees of Mahlers music.