The Blue Buick: New and Selected Poems

About this book

B. H. Fairchild is the American voice at its best: confident and conflicted celebratory and melancholic.New York Times Gathering works from five of B. H. Fairchilds previous volumes stretching over thirty years and adding twenty-six brilliant new poems The Blue Buick showcases the career of a poet who represents "the American voice at its best: confident and conflicted celebratory and melancholic" (New York Times). Fairchilds poetry covers a wide range both geographically and intellectually though it finds its center in the rural Midwest: in oilfields and dying small towns in taverns baseball fields one-screen movie theaters and skies "vast mysterious and bored." Ultimately its cultural scopewhere Mozart stands beside Patsy Cline with Grunewald Gdel and Rothko only a subway ride from the Hollywood films of the 1950stranscends region and decade to explore the relationship of memory to the imagination and the mysteries of time and being. And finally there is the character of Roy Eldridge Garcia a machinist/poet/philosopher who sees in the landscape and silence of the high plains the held breath of the earth "as if we havent quite begun to exist. That coming into being still going on." From the machine work elevated to high art that is the subject of The Arrival of the Future (1985) to the despairing dreamers of Early Occult Memory Systems of the Lower Midwest (2002) to the panoramic voice-driven structure of Usher (2009) Fairchilds work "meaty maximalist driven by narrative stakes out an American mythos" (David Ulin Los Angeles Times). From "The Blue Buick:" A boy standing on a rig deck looks across the plains. A woman walks from a trailer to watch the setting sun. A man stands beside a lathe lighting a cigar. Imagined or remembered a girl in Normandy Sings across a sea that something may remain.