The Closed World: Computers and the Politics of Discourse in Cold War America (Inside Technology)

The Closed World offers a radically new alternative to the canonical histories of computers and cognitive science. Arguing that we can make sense of computers as tools only when we simultaneously grasp their roles as metaphors and political icons Paul Edwards shows how Cold War social and cultural contexts shaped emerging computer technologyand were transformed in turn by information machines. The Closed World explores three apparently disparate historiesthe history of American global power the history of computing machines and the history of subjectivity in science and culturethrough the lens of the American political imagination. In the process it reveals intimate links between the military projects of the Cold War the evolution of digital computers and the origins of cybernetics cognitive psychology and artificial intelligence. Edwards begins by describing the emergence of a "closed-world discourse" of global surveillance and control through high-technology military power. The Cold War political goal of "containment" led to the SAGE continental air defense system Rand Corporation studies of nuclear strategy and the advanced technologies of the Vietnam War. These and other centralized computerized military command and control projectsfor containing world-scale conflictshelped closed-world discourse dominate Cold War political decisions. Their apotheosis was the Reagan-era plan for a "Star Wars" space-based ballistic missile defense. Edwards then shows how these military projects helped computers become axial metaphors in psychological theory. Analyzing the Macy Conferences on cybernetics the Harvard Psycho-Acoustic Laboratory and the early history of artificial intelligence he describes the formation of a "cyborg discourse." By constructing both human minds and artificial intelligences as information machines cyborg discourse assisted in integrating people into the hyper-complex technological systems of the closed world. Finally Edwards explores the cyborg as political identity in science fictionfrom the disembodied panoptic AI of 2001: A Space Odyssey to the mechanical robots of Star Wars and the engineered biological androids of Blade Runnerwhere Information Age culture and subjectivity were both reflected and constructed. Inside Technology series