The Freedom Principle: Jazz After 1958 (Da Capo Paperback)
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About this book
Ornette Colemans discovery some thirty years ago that his bands music was indeed a "free thing" marked the beginning of a revolution in jazz. From the early free-form experiments Colemans dancing blues and John Coltranes saxophone cries and sheets of sound to the brittle melancholy modes of Miles Davis vibrant sophisticated new jazz idioms proliferated. In this critical and historical survey of todays jazz noted critic John Litweiler traces the evolution of the new music through such artists as Coleman Coltrane Davis Cecil Taylor Eric Dolphy Sun Ra Albert Ayler Anthony Braxton and others. He also addresses questions such as: Is Free jazz a rejection of the jazz tradition? Are European folk classical musics altering this essentially Afro-American art? Do the principles of Free jazz provide real emotional liberation for the creative musician? This is a solid informed guidefor new jazz fans and serious listeners aliketo what has in many ways been the most productive and most controversial period in the history of jazz.
