The History of Jazz

About this book

Jazz is the most colorful and varied art form in the world and it was born in one of the most colorful and varied cities New Orleans. From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe "King" Oliver jazz began its long winding odyssey across America and around the world giving flower to a thousand different forms--swing bebop cool jazz jazz-rock fusion--and a thousand great musicians. Now in The History of Jazz Ted Gioia tells the story of this music as it has never been told before in a book that brilliantly portrays the legendary jazz players the breakthrough styles and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton ("the worlds greatest hot tune writer") Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced) Duke Ellington at the Cotton Club cool jazz greats such as Gerry Mulligan Stan Getz and Lester Young Charlie Parkers surgical precision of attack Miles Daviss 1955 performance at the Newport Jazz Festival Ornette Colemans experiments with atonality Pat Methenys visionary extension of jazz-rock fusion the contemporary sounds of Wynton Marsalis and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz taking the reader to the swamp lands of the Mississippi Delta the bawdy houses of New Orleans the rent parties of Harlem the speakeasies of Chicago during the Jazz Age the after hours spots of corrupt Kansas city the Cotton Club the Savoy and the other locales where the history of jazz was made. And as he traces the spread of this protean form Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and 50s when black players no longer content with being "entertainers " wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art delighting us with the ease and rapidity with which it changes colors. Now in Ted Gioias The History of Jazz we have at last a book that captures all these colors on one glorious palate. Knowledgeable vibrant and comprehensive it is among the small group of books that can truly be called classics of jazz literature.