The Wright Space: Pattern and Meaning in Frank Lloyd Wright's Houses

About this book

"In both early and late life " write Grant Hildebrand Wright had an enormous number of domestic clients. ... They came to his drawing board in droves and having seen through to completion their adventure with him they were by and large ecstatic about what they got. ...Many of these clients subsequently returned to Write for another house and sometimes more than one.... "Yet few houses of equal fame have embodied more conspicuous faults. Many of Wrights plans defy reasonable furniture arrangements many frustrate even the storage of reasonable and treasured possessions. In many cases sever problems afflict the architectural fabric: leaking roofs unserviceable detailing even structural inadequacies. ...There were problems of personality as well. ...Many of Wrights clients found him arrogant careless slow and misleading and were not by any means always amused by his temperament. And there are more vague and subjective difficulties for the sheer power of these house as dramatic exercises in space and form can intimidate the...acts of ordinary daily life: how does on have a casual conversation in the Robie house dining room or hang a cherished delicate picture in a Usonian?" If then these houses lacked so many of the usual aspects of satisfaction why were they built with such profusion and valued so highly? In this book thirty-three of Wrights domestic buildings including all of the major houses on which his significance depends are analyzed in detail in terms of their spatial characteristics. Fireplaces seating ceiling form glazing terraces and roof overhangs are seen to follow a repetitive organization or pattern characterized by complementary juxtapositions of what the English geographer Jay Appleton calls "prospect" (a condition in which one can see over a considerable distance) and "refuge" (a place where one can hide). According to Appletons theory of landscape aesthetics this juxtaposition offers the ability to see without being seen (or to hunt successfully without being in turn successfully hunted) and thus eons ago had survival value. But such a condition must have been sought originally because it was intrinsically pleasurable to our species. Hildebrand finds a striking correlation in Wrights houses. Wrights pattern of prospect and refuge to which are added similarly derived qualities of complexity and order is show to be unique in domestic architecture to the degree to which it provides these preferred characteristics suggesting why in spite of serious drawbacks his house were built and valued by so many clients. The text of the book is enhanced by photographs plans and by nine exquisitely drawn diagrams of key dwellings specially prepared by William Hook. Addressed to architects landscape architects architectural historians environmental psychologist anthropologists philosophers of aesthetics and the lay public with an interest in these subjects The Wright Space is essential reading for anyone who has ever lived in looked at or studied Frank Lloyd Wrights remarkable houses.