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Topless Cellist: The Improbable Life of Charlotte Moorman

hardcoverSeptember 12, 2014
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ISBN-13: 9780262027502 ISBN-10: 026202750X
Publisher
MIT Press
Binding
hardcover
Published
September 12, 2014
Weight
3.0 lbs
Dimensions
23.60×3.20×18.70 cm

About this book

Topless Cellist: The Improbable Life of Charlotte Moorman by Rothfuss, Joan. hardcover edition. ISBN: 9780262027502.

The first book to explore the extraordinary career of musician and performance artist Charlotte Moorman, whose work combined classical rigor, avant-garde experiment, and madcap daring. The Juilliard-trained cellist Charlotte Moorman sat nude behind a cello of carved ice, performed while dangling from helium-filled balloons, and deployed an array of instruments on The Mike Douglas Show that included her cello, a whistle, a cap gun, a gong, and a belch. She did a striptease while playing Bach in Nam June Paiks Sonata for Adults Only. In the 1960s, Moorman (1933–1991) became famous for her madcap (and often unclothed) performance antics; less famous but more significant is Moormans transformative influence on contemporary performance practice—and her dedication to the idea that avant-garde art should reach the widest possible audience. In Topless Cellist, the first book to explore Moormans life and work, Joan Rothfuss rediscovers, and recovers, the legacy of an extraordinary American artist. Moormans arrest in 1967 for performing topless made her a water-cooler conversation-starter, but before her tabloid fame she was a star of the avant-garde performance circuit, with a repertoire of pieces by, among others, Yoko Ono, Joseph Beuys, John Cage, and Paik, her main artistic partner. Moorman invented a new mode of performance that combined classical rigor, jazz improvisation, and avant-garde experiment—informed by intuition, daring, and love of spectacle. Moormans annual festival of the avant-garde offered the public a lively sampler of contemporary art in performance, music, dance, poetry, film, and other media. Rothfuss chronicles Moormans life from her youth in Little Rock, Arkansas (where she was “Miss City Beautiful” of 1952) through her career in New Yorks avant-garde to her death from breast cancer in 1991. (Typically, she approached her treatment as if it were a performance.) Deeply researched and profusely illustrated, Topless Cellist offers a fascinating, sometimes heartbreaking, often hilarious story of an artist whose importance was more than the sum of her performances.