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Toward a Geography of Art

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Art history traditionally classifies works of art by country as well as period but often political borders and cultural boundaries are highly complex and fluid. Questions of identity policy and exchange make it difficult to determine the "place" of art and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history Thomas DaCosta Kaufmanns book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe Latin America and Asia. Toward a Geography of Art presents a historical overview of these complexities debates contemporary concerns and completes its exploration with a diverse collection of case studies. Employing the authors expertise in a variety of fields the book delves into critical issues such as transculturation of indigenous traditions mestizaje the artistic metropolis artistic diffusion transfer circulation subversion and center and periphery. What results is a foundational study that establishes the geography of art as a subject and forces us to reconsider assumptions about the place of art that underlie the longstanding narratives of art history.