Traditional Japanese Music and Musical Instruments

About this book

When William Malm published his wide-ranging study of traditional Japanese music in 1959 it was the first time in the twentieth century that such a work had been brought out in a Western language. Malms book has still not been replaced as the single most interesting and authoritative text on the subject. But until now it was never revised or updated nor were its illustrations ever changed. With the present publication however an extensively improved edition that includes a CD of sample music has been made available. Professor Malms aim has always been to attract the layman reader as well as the musicologist which has given this book its strength and durability. The writing is clear lively and informed the scope of his study being broadened by frequent comparisons with other traditions East and West. Accompanying it all is a generous number of drawings and photographs of the players and their various instruments. The book opens with a brisk and eloquent history of Japans musical life then moves on to its religious music Shinto Buddhist and Christian; its court music; the music of the noh drama; and the music of specific instruments: biwa shakuhachi koto and shamisen. After examining the components of kabuki music it closes with a chapter on folk music popular musical arts and the music of other ethnic groups in Japan. For the more technically inclined there is a detailed appendix on notation systems. Lastly to put all this in a practical context a CD is provided giving nineteen examples of these different genres. Whether your interest is in a particular form of Japanese music-the marvelous sonority of the bamboo flute the sharp but wistful sound of the shamisen-or just in music in general Malms book will more than satisfy your curiosity.