Vital Crises in Italian Cinema: Iconography Stylistics Politics

About this book

Italian films of the post-World War II period showed an extraordinary power and originality that sets them apart from others in the history of Italian cinema. In this book P. Adams Sitney combines new interpretations of many of these films with original research into the intellectual milieu in which they were made in order to explain them as reflections of Italian national life during moments of vital self-definition. The films Sitney analyzes were made during the years 1945-1950 and 1958-1963. Taking six films from the first period and nine from the second he focuses on three interrelated aspects: the ways in which they refer directly or obliquely to the social and political issues of their times; their relationships to contemporary currents in Italian literature; and their elaborations of a traditional iconography to which they actively contribute. Rossellini Visconti De Sica Zavattini Antonioni Pasolini Olmi and Rosi are among the directors whose work he discusses. The films include Paisa La terra trema La dolce vita and Il deserto rosso.