Vito Acconci (Phaidon Contemporary Artists Series)
Paperback
–
September 17, 2002
Regular price
$312.12 USD
Regular price
Sale price
$312.12 USD
Unit price
per
Shipping calculated at checkout.
Couldn't load pickup availability
Secure Checkout
Quality Guaranteed
In Stock
ISBN-13: 9780714840024
ISBN-10: 0714840025
About this book
Vito Acconci (b.1940) is a key late twentieth-century pioneer of performance video installation and the exploration of architectural space. His work has expanded arts boundaries moving beyond the gallery or museum into shared public spaces. Initially a poet Acconci began making Conceptual art and Body art in the late 1960s. He devised actions enacted them and documented them with texts photographs or video. In 1972 he produced the most famous performance installation of its time Seedbed. In an empty gallery he built a low ramp concealed beneath which he stimulated himself with sexual fantasies about viewers walking above speaking his fantasies into a microphone linked to loudspeakers. Startled spectators found themselves implicated in an intimate power relationship between artist and viewer. Since the mid 1980s his work has turned towards experimental architectural projects. In 1988 he set up the architectural practice Acconci Studio which has executed public commissions around the world and was featured at the Venice Architecture Biennale in 2001. Acconcis work remains of vital importance not only to Conceptual art and performance but to contemporary architectural theory and practice. In the Survey art critic Frazer Ward chronicles the key moments in Acconcis thirty-year career selecting emblematic works that illustrate the different media in which the artist has worked. In the interview the artist discusses with theorist Mark C. Taylor his concern for the human body as social spatial and linguistic entity. In the Focus architectural theorist Jennifer Bloomer analyzes one of the artists recent architectural works World in Your Bones (1998). For his Artists Choice the artist has selected Alain Robbe-Grillets screenplay for Alain Resnais film Last Year at Marienbad (1961). Noted also for his poetry and theoretical essays the selection of Artists Writings spans his early experimental poetry from the late 1960s to a cultural analysis of public art and architecture in the 1980s and 1990s.