William Pope.L: The Friendliest Black Artist in America

About this book

The artist William Pope.L who teaches at Bates College in Lewiston Maine has been producing some of the most original visual and performing art in America for many years. But it was not until the Acting Chairman of the National Endowment for the Arts overturned the recommendations of the NEAs own advisory panel to support this publication and the exhibition it accompanies that Pope.L became the subject of feature articles in the nations major newspapers. Pope.L became a cause celebre as a result of the scandal but he deserved to be known long before that. His work is humane accessible profound and humorous; it is also deeply challenging and self-aware. It is neither an accident nor a joke that his business card reads "Friendliest Black Artist in America."Many of Pope.Ls pieces take place on the street. He has eaten and regurgitated copies of The Wall Street Journal tied himself to a bank door and handed out money (a sort of reverse panhandler) crawled up the Bowery wearing a business suit and walked down 125th Street in Harlem wearing a 12-foot white cardboard phallus. Although he frequently deals with racial issues his work confounds preconceptions of what "black art" should be.This book which accompanies a nationally touring exhibition of Pope.Ls work explores his impact on American art and culture. It contains sections on practices body performance dialogue consumption and a selection of the artists writings and a chronology. The essays are by Mark H. C. Bessire Suzanne Preston Blier C. Carr Geoffrey Hendricks Stuart Horodner Lowery Stokes Sims Kristine Stiles and Martha Wilson.