Home › Biography & Memoirs › Word Crazy: Broadway Lyricists from Cohan to Sondheim
Skip to product information
1 of 1

Word Crazy: Broadway Lyricists from Cohan to Sondheim

hardcover – May 30, 1991
Regular price $84.25 USD
Regular price Sale price $84.25 USD
Sale Sold out
Shipping calculated at checkout.
Secure Checkout
Quality Guaranteed
New In Stock
ISBN-13: 9780275938499 ISBN-10: 0275938492
Publisher
Bloomsbury
Binding
hardcover
Published
May 30, 1991
Weight
1.3 lbs
Dimensions
23.40×1.60×15.60 cm

About this book

Word Crazy: Broadway Lyricists from Cohan to Sondheim by Hischak, Thomas. hardcover edition. ISBN: 9780275938499.

This volume surveys the development of the American musical during the 20th century by focusing on one of the most important yet least recognized members of the creative team: the lyricist. From George M. Cohan and Irving Berlin through Oscar Hammerstein II, Alan Jay Lerner, Ira Gershwin, Stephen Sondheim, and others, Word Crazy examines both well-known and obscure writers who have shaped one of Americas most beloved theatrical forms. The author offers an overview of each lyricists career and works and evaluates his or her strengths, weaknesses, patterns, temperament, and personal vision. The result is an unusual critical history of the Broadway musical that will be of significant interest to students of the theatre as well as to anyone who wishes to learn more about the unique craft of the theatre lyricist. Beginning with George M. Cohan, the American theatres first important lyricist, and continuing up into the 1980s, the book presents an overall history of the musical theatre during this century. Hischak explores the various trends and movements, from the early operettas through the arrival of jazz, and up through the conceptual musicals of the last 30 years. The treatment is chronological with most chapters focusing on a single lyricist. A bibliography and index complete the volume. By reviewing the careers and works of Americas most influential theatre lyricists, Hischak offers a fresh new perspective on the evolution of musical theatre in America.