Digital Culture, Play, and Identity: A World of Warcraft Reader

World of Warcraft is the worlds most popular massively multiplayer online game (MMOG) with (as of March 2007) more than eight million active subscribers across Europe North America Asia and Australia who play the game an astonishing average of twenty hours a week. This book examines the complexity of World of Warcraft from a variety of perspectives exploring the cultural and social implications of the proliferation of ever more complex digital gameworlds. The contributors have immersed themselves in the World of Warcraft universe spending hundreds of hours as players (leading guilds and raids exploring moneymaking possibilities in the in-game auction house playing different factions races and classes) conducting interviews and studying the game design--as created by Blizzard Entertainment the games developer and as modified by player-created user interfaces. The analyses they offer are based on both the firsthand experience of being a resident of Azeroth and the data they have gathered and interpreted. The contributors examine the ways that gameworlds reflect the real world--exploring such topics as World of Warcraft as a "capitalist fairytale" and the games construction of gender; the cohesiveness of the gameworld in terms of geography mythology narrative and the treatment of death as a temporary state; aspects of play including "deviant strategies" perhaps not in line with the intentions of the designers; and character--both players identification with their characters and the games culture of naming characters. The varied perspectives of the contributors--who come from such fields as game studies textual analysis gender studies and postcolonial studies--reflect the breadth and vitality of current interest in MMOGs.Hilde G. Corneliussen and Jill Walker Rettberg are both Associate Professors of Humanistic Informatics at the University of Bergen Norway.